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“5 Broken Cameras’” Strange Trip to the Oscars


Published on March 13, 2013 by Akashma Online News

First published in CounterPunch March 8

by URI AVNERY

I’m a Bil’in!

This does not happen every day: a Minister of Culture publicly rejoices because a film from her country has not been awarded an Oscar. And not just one film, but two.

It happened this week. Limor Livnat, still Minister of Culture in the outgoing government, told Israeli TV she was happy that Israel’s two entries for Oscars in the category of documentary films, which made it to the final four, did lose in the end.

Livnat, one of the most extreme Likud members, has little chance of being included in the diminishing number of Likud ministers in the next government. Perhaps her outburst was meant to improve her prospects.

Not only did she attack the two films, but she advised the semi-official foundations which finance Israeli films to exercise “voluntary self-censorship and deprive such unpatriotic films of support, thus making sure that they will not be produced at all.

The documentaries in question are very different in character.

One, The Gatekeepers, is a collection of testimonies by six successive chiefs of the General Security Service, Israel’s internal intelligence agency, variously known by its Hebrew initials Shin Bet or Shabak. In the US its functions are performed by the FBI. (The Mossad is the equivalent of the CIA.)

All six service chiefs are harshly critical of the Israeli prime ministers and cabinet ministers of the last decades. They accuse them of incompetence, stupidity and worse.

The other film, 5 Broken Cameras, tells the story of the weekly protest demonstrations against the “separation” fence in the village of Bil’in, as viewed through the cameras of one of the villagers.

One may wonder how two films like these made it to the top of the Academy awards in the first place. My own (completely unproven) conjecture is that the Jewish academy members voted for their selection without actually seeing them, assuming that an Israeli film could not be un-kosher. But when the pro-Israeli lobby started a ruckus, the members actually viewed the films, shuddered, and gave the top award to Searching for Sugar Man.

I have not yet had a chance to see The Gatekeepers. Because of that, I am not going to write about it.

However, I have seen 5 Broken Cameras several times – both in the cinema and on the 5BrokenCameras_Poster3.inddground.

Limor Livnat treated it as an “Israeli” film. But that designation is rather problematical.

First of all, unlike other categories, documentaries are not listed according to nationality. So it was not, officially, “Israeli”.

Second, one of its two co-producers protested vehemently against this designation. For him, this is a Palestinian film.

As a matter of fact, any national designation is problematical. All the material was filmed by a Palestinian, Emad Burnat. But the co-editor, Guy Davidi, who put the filmed material into its final shape, is Israeli. Much of the financing came from Israeli foundations. So it would be fair to say that it is a Palestinian-Israeli co-production.

This is also true for the “actors”: the demonstrators are both Palestinians and Israelis. The soldiers are, of course, Israelis. Some of members of the Border Police are Druze (Arabs belonging to a marginal Islamic sect.)

When the last of Emad Burnat’s sons was born, he decided to buy a simple camera in order to document the stages of the boy’s growing up. He did not yet dream of documenting history. But he took his camera with him when he joined the weekly demonstrations in his village. And from then on, every week.

Bil’in is a small village west of Ramallah, near the Green Line. Few people had ever heard of it before the battle.

I heard of it for the first time some eight years ago, when Gush Shalom, the peace organization to which I belong, was asked to participate in a demonstration against the expropriation of some of its lands for a new settlement, Kiryat Sefer (“Town of the Book”).

When we arrived there, only a few new houses were already standing. Most of the land was still covered with olive trees. In following protests, we saw the settlement grow into a large town, totally reserved for ultra-orthodox Jews, called Haredim, “those who fear (God)”. I passed through it several times, when there was no other way to reach Bil’in, and never saw a single man there who was not wearing the black attire and black hat of this community.

The Haredim are not settlers per se. They do not go there for ideological reasons, but just because they need space for their huge number of offspring. The government pushes them there.

What made this first demonstration memorable for me was that the village elders emphasized, in their summing-up, the importance of non-violence. At the time, non-violence was not often heard about in Palestinian parlance.

Non-violence was and remains one of the outstanding qualities of the Bil’in struggle. From the first demonstration on, week after week, year after year, non-violence has been the hallmark of the protests.

Another mark was the incredible inventiveness. The elders have long ago given way to the younger generation. For years, these youngsters strived to fill every single demonstration with a specific symbolic content. On one occasion, protesters were carried along in iron cages. On another, we all wore masks of Mahatma Gandhi. Once we brought with us a well-known Dutch pianist, who played Schubert on a truck in the midst of the melee. On yet another protest, the demonstrators chained themselves to the fence. At another time, a football match was played in view of the settlement. Once a year, guests are invited from all over the world for a symposium about the Palestinian struggle.

The fight is mainly directed at the “Separation” Fence, which is supposed to separate between Israel and the occupied Palestinian territories. In built-up areas it is a wall, in open spaces it is a fence, protected on both sides by a broad stretch of land for patrol roads and barbed wire. The official purpose is to prevent terrorists from infiltrating into Israel and blowing themselves up here.

If this were the real purpose, and were the wall built on the border, nobody could fairly object. Every state has the right to protect itself. But that is only part of the truth. In many regions, the wall/fence cuts deeply into Palestinian territory, ostensibly to protect settlements, in reality to annex land. This is the case in Bil’in.

The original fence cut the village off from most of its lands, which were earmarked for the enlargement of the settlement now called Modi’in Illit (“Upper Modi’in”). The real Modi’in is an adjacent township within the Green Line.

In the course of the struggle, the villagers appealed to the Israeli Supreme Court, which finally accepted part of their claim. The government was ordered to move the fence some distance nearer to the Green Line. This still leaves a lot of land for the settlement.

In practice, the complete wall/fence annexes almost 10% of the West Bank to Israel. (Altogether, the West Bank constitutes a mere 22% of the country of Palestine is [is as] it was before 1948.)

Once Emad Burnat started to take pictures, he could not stop. Week after week he “shot” the protests, while the soldiers shot (without quotation marks) at the protesters.

Tear gas and rubber-coated steel bullets were used by the military every week. Sometimes, live ammunition was deployed. Yet in all the demonstrations I witnessed, there was not a single act of violence by the protesters themselves – Palestinians, Israelis or international activists. The demonstrations usually start in the center of the village, near the mosque. When the Friday prayers end (Friday is the Muslim holy day), some of the devout join the young people waiting outside, and a march to the fence, a few kilometers away, commences.

At the fence, the clash happens. The protesters push forward and shout, the soldiers launch tear gas, stun grenades and rubber bullets. The gas canisters hit people (Rachel, my wife, had a big bruise on her thigh for months, where a canister had hit her. Rachel was already carrying a fatal liver disease and was strictly warned by her doctor not to come near tear gas. But she could not resist taking photos close up.)

Once the melee starts, boys and youngsters – not the demonstrators themselves – on the fringes usually start to throw stones at the soldiers. It is a kind of ritual, a test of courage and manhood. For the soldiers this is a pretext for increasing the violence, hitting people and gassing them.

Emad shows it all. The film shows his son grow up, from baby to schoolboy, in between the protests. It also shows Emad’s wife begging him to stop. Emad was arrested and seriously injured. One of his relatives was killed. All the organizers in the village were imprisoned again and again. So were their Israeli comrades. I testified at several of the trials in the military court, located in a large military prison camp.

The Israeli protesters are barely seen in the film. But right from the beginning, Jews played an important part in the protests. The main Israeli participants are the “Anarchists against the Wall”, a very courageous and creative group. (Gush Shalom activist Adam Keller is shown in a close-up, trying out a passive resistance technique he had learned in Germany. Somehow it did not work. Perhaps you need German police for it.)

If the film does not do full justice to the Israeli and international protesters, that is quite understandable. The aim was to showcase the Palestinian non-violent resistance.

In the course of the struggle, one of Emad’s cameras after another was broken. He is now wielding camera No. 6.

This is a story of heroism, the heroic struggle of simple villagers for their lands and their country.

Long after Limor Livnat will be forgotten, people will remember the Battle of Bil’in.

President Barack Obama would be well advised to see this film before his forthcoming visit to Israel and Palestine.

Some years ago, I was asked to make the laudatory speech at a Berlin ceremony, in which the village of Bil’in and the “Anarchists against the Wall” were decorated for their courage.

Slightly paraphrasing President John Kennedy’s famous speech in Berlin, I proposed that every decent person in the world should proudly proclaim: “Ich bin ein Bil’iner!”

URI AVNERY is an Israeli writer and peace activist with Gush Shalom. He is a contributor to CounterPunch’s book The Politics of Anti-Semitism.

 

Who is Bassem Abu Rahmah in 5 Broken Cameras

January 15, 2013 1 comment

Posted on January 15, 2013 by Akashma Online News

Oscar Nominated Film 5 Broken Cameras

Bassem life and death in 5 broken Cameras

This important documentary Film 5 Broken Cameras brings you the story of the life of struggles in Bil’in, a small Village of 1800 residents in Palestine. Bil’in it is just an example of the situation lived in Palestine, a situation sustained for 65 years.

Every family in Palestine has somebody injured, in jail, or  killed. Every face has a story. Palestine is not a place of people invented as some ignorant people said.

Bil’in residents have continued to withstand these injustices despite the frequent night raids of Israeli soldiers in the town followed by an increasing number of arrests of inhabitants and of activists. But now, the army has toughened the oppression by systematically arresting members of the Bil’in committee in charge of organizing the non-violent resistance actions. The aim of the arrests is to discourage Bil’in residents and reduce their resistance to the occupation.

By supporting Bil’in, you will help its inhabitants to continue their struggle and maintain hope in their fight for liberty. This site is dedicated to all people of good will – Palestinian, Israeli and the internationals who fight side by side against the injustices endured by the people of Bil’in.

Bassen Abu Rahmah RIP-One of Bassem’s ideas was to fly a kite during a protest, symbolizing the freedom that Palestinians are striving for.

Bassen Abu Rahmah RIP-One of Bassem’s ideas was to fly a kite during a protest, symbolizing the freedom that Palestinians are striving for.

Bassem Abu Rahmah (Phil),  known for his Charisma, beautiful smile and kindness. A pacifist struggling to keep his land.

Who Was Bassem Abu Rahmah?

Bassem Abu Rahmah was a 30-year-old Palestinian from the town of Bil’in in the occupied West Bank. Nicknamed “Elephant”, he was known to friends and family for his charisma and kindness, and for his creative ideas for protesting Israel’s confiscation of lands belonging to local residents for the construction of its separation wall, which has had a devastating impact on the lives of Bil’in’s residents, cutting them off from their farmlands and grazing pastures, restricting their movement and their access to employment, education and health care. One of Bassem’s ideas was to fly a kite during a protest, symbolizing the freedom that Palestinians are striving for.

What happened to Bassem?

On April 17, 2009, while taking part in a weekly peaceful protest against the building of the wall, Bassem was struck in the chest and killed by a high-velocity tear gas canister fired by Israeli soldiers in an incident that was caught on videotape.

Bassam Abu Rahmah, who was killed within minutes of receiving a direct hit to the chest from an IDF-fired high-velocity tear gas cannister at a regular Friday anti-Wall demonstration on 17 April 2009.

Bassam Abu Rahmah, who was killed within minutes of receiving a direct hit to the chest from an IDF-fired high-velocity tear gas cannister at a regular Friday anti-Wall demonstration on 17 April 2009.

The day that he was killed was like most Fridays in Bil’in, however on this occasion several Israeli peace activists who had joined the weekly protest became trapped in a no-man’s land dividing Israeli soldiers and village residents. Amidst the confusion, Bassem went to help them, calling on the soldiers to stop firing tear gas and allow the Israeli protesters to escape to safety. Instead, the soldiers fired an extended-range tear gas canister directly at him, hitting him in the chest and knocking him unconscious.

Click On the Image to Read about Phil RIP

There were no ambulances in Bil’in that day. After a car arrived to take Bassem to hospital, Israeli soldiers shot tear gas at it, forcing villagers to carry his body a distance to the waiting car. During the 30 minutes it took for him to reach the hospital, Bassem died.

What was the Official Israeli Response?

The Israeli army claimed that Bassem’s death was an accident and that the tear gas canister that killed him had hit a wire and changed direction in air. A similar claim was made by Israeli authorities after American citizen Emily Henochowicz lost an eye after being hit in the face by a tear gas canister fired by Israeli troops during a demonstration in May 2010. In July 2010, the Israeli Army’s Judge Advocate General announced that it would open an investigation into Bassem’s death after his family threatened to petition the Israeli High Court of Justice. The results have yet to be released.

The Israel Defense Forces first said Abu-Rahma was in a group of Palestinians hurling rocks at troops. But video footage showed him shouting, not throwing rocks, when he was shot.

Video footage filmed during the April 2009 protest against the separation fence in the Palestinian village of Bil’in also showed IDF troops firing tear gas canisters directly at demonstrators while in the presence of commanding officers. See 5 Broken Cameras

U.S. Involvement

Along with other more advanced and lethal weaponry, the U.S. is a primary supplier of tear gas canisters and dispensers for Israeli forces and other repressive regimes across the region. A number of non-violent Palestinian and international activists, including American citizens, have been seriously wounded or killed by Israeli soldiers using American-made tear gas canisters and launchers. A month before Bassem’s death, American Tristan Anderson was seriously injured after being hit in the head with a high-velocity tear gas canister fired by Israeli troops at a demonstration in the West Bank town of Ni’lin.

The video shows plainly that the demonstrators were not violent. Here is a rough translation of the words on the video, supplied by an anonymous friend: The demonstrators are telling the soldiers in Hebrew that there are children and Israelis present and they are asking them not to shoot. Bassem is shouting “Listen, wait a minute, wait a minute!” before he falls to the ground. The soldiers then fire another round of tear gas as the demonstrators yell that he is injured and needs an ambulance.

In the longer video, as [Mohammed] Khatib is arguing with the soldier,  you can clearly hear the soldier say, “Do you want more gas?” They can see someone is on the ground and bleeding and because they know it’s a Palestinian, they don’t care.

And the soldier is telling Khatib “Are you going to shut up?” as Khatib pleads with him to stop shooting. The Israeli who’s next to Bassem right after the shooting is just saying, “There’s an injured man, bring an ambulance quickly.” He asks Bassem where he was hit. The demonstrators also repeat throughout, this is a non-violent demonstration. The soldiers merely respond with tear gas.

Bassem Abu Rahmah like the other Bil’in Villagers and the International Activist, and Israel Activities risk their life every Friday to protest the Occupation. Please Watch 5 Broken Cameras, Watch this video, enough evidence to be presented at the ICC in its due time. RIP Bassem

Follow the narrative of “5 broken cameras” as it was made, planned, edited and made in a documentary as a final piece of art, 5 broken cameras presskit, gives you the most intimates details and difficulties presented with the reality of the Israeli occupations and continuous nigh raids and harsh tactics of the IDF trying to stop Bi’lin Village from demonstrating on Fridays after pryers in front of the illegal wall.

The Evidence of  A Crime

More Stores……..

Emat Burnat Palestinian Filmaker take you on a road of desperation, occupation, outrage and tears. In 5 years IDF (Israel Soldiers) destroyed 5 cameras, but he continue filming Palestinian Struggles. 5 Broken Cameras

They started this war 7 years ago  protesting the Land grab for Settlements and the construction of the Apartheid Wall. They are not deterred by the gas, arrests, the bullets, the bullying and the death. Every Friday after prayer they gather by the Wall pacifically protesting the stealing of the Land. 5 Broken Cameras Exposes Israel True Colors

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