Beach Boys Band had cancelled their concert In Tel Aviv scheduled for November 29. #BDSIsrael movement supporters had been pressuring artists from performing in the Apartheid Entity of Israel since 2005 that the #BDSmovement was funded. #BDS had grown up globally and it is out of the control of Zionists organizations, and hasbarist.
For now we claim victory and claim the The Beach Boys belong to our camp #Celebs4Pal until otherwise is published. We know from past news on artists that had canceled their concerts in Apartheid Israel don’t want to publish the real reason, but we must recognize that Israel is losing the Public Relations campaign and its credibility is really low.
Companies are cutting ties with the Zionist entity, governments are showing their dissatisfaction with Israel’s latest atrocities in West Bank and the well known Gaza genocide that many in the media don’t talk about, but the pictures, videos from news agencies and the facts on the ground are all to tell a tale of genocide.
Show your support to Beach Boys by sending thanks notes to their twitter and facebook accounts like their page at The Beach Boys, and follow them @TheBeachBoys.
BDS all the way until Israel is dissolve form the map.
“The global movement for a campaign of Boycott, Divestment and Sanctions (BDS) against Israel until it complies with international law and Palestinian rights was initiated by Palestinian civil society in 2005, and is coordinated by the Palestinian BDS National Committee (BNC), established in 2007. BDS is a strategy that allows people of conscience to play an effective role in the Palestinian struggle for justice.” BDSmovement.org
The boycott is hurting Israel and its supporters where most hurt, the money!
Want to know more about Beach Boys like their facebook page, thanks them for being in the right side of history.
“The Beach Boys have called off a concert they had been scheduled to give on November 29 in Tel Aviv, the local promoter of the cancelled concert, Gad Oron, said on Tuesday.
He said he received a brief note informing him that the band had decided to cancel the concert at Tel Aviv’s Nokia Palace Arena.
Oron told media that he was not informed of the reasons behind the decision. He said ticket sales were satisfactory, and that he could not see any reasons for the concert being called off.” more on the story at hispanos servidornoticis
Some activists and public speakers had spoken on the BDS movement as something not good for Palestine, well we seen that the those feeling are at odds with the reality we have in front of us.
“To be pro-Palestinian does not necessarily mean you want the state of Israel to be wiped off the map; nor does it imply that you agree with either the two-state or one- state solution. The pro-Palestinian movement embraces many ideas and offers much diversity in way of critique and pro-active solutions. For instance, some activists take a stand, drawing upon the premise of Human Rights and International Law while others pursue different strategies outside of U.N. sanctions, precisely because the legal precepts have never been enforced. Similarly, it is with this context in mind, that we can view the Boycott, Divestment, Sanctions (BDS) movement where we witness much diversity in terms of strategy and goals.” Marivel Guzman from Akashma News
From Michael Heart Official Page
Michael Heart has no propensity for nonsense. Neither in his life nor in his music. His no-frills approach to songwriting and production work is a clear testament to that. Despite his vastly diverse musicianship skills in different genres (clearly a direct result of having been raised all over the world), he has an affinity for authenticity and purity when it comes to his music. When he makes a Pop/Rock record, you just know it’s a Pop/Rock record.
Such is the case with his debut Pop/Rock CD titled “Unsolicited Material”. Although this record may not necessarily entirely sound like the work of his musical influences, you can definitely hear traces of artists such as Don Henley and Bryan Adams, in a song or two.
His raspy, breathy voice has a very identifiable sound, which commands attention from the listener. The songs are well crafted and the lyrical content is somewhat diverse, yet relevant. He tackles serious topics such as adultery (“Living In Sin”); the challenges of making a living (“Life Goes On”); war (“Damaged World”) and even domestic violence (“Finally Free”). Having said that, once in a while, Michael still lets his sense of humor come out in a song like “Wanna Be Bad”. After all, rock’n roll is about having a good time. And just for good measure, he includes the obligatory, radio-friendly, mid-tempo, Pop/Rock love song, “Lost In You”. Although the moods of the various songs on this CD do vary, there is still a common thread in all of these songs that unify them as a collective work.
Michael’s background is as diverse as can be. Born in Syria and raised in Europe (Switzerland and Austria) and the United States, he has lived a multi-cultural life and absorbed the music of different parts of the world (although his current CD release is purely categorized as Pop/Rock). He started out on piano and guitar at age 10. Shortly thereafter, he began dabbling in songwriting and eventually made the natural progression towards recording.
After earning his audio engineering degree from Full Sail (recording school), he moved to Los Angeles in 1990 and spent the past 20 years working on the local studio circuit both as a session guitarist and a recording engineer.
In that time, he has worked with such artists as Brandy, Will Smith, Toto, Natalie Cole, The Temptations, Phil Collins, Patty LaBelle, The Pointer Sisters, Earth Wind & Fire, Rickie Lee Jones, Lou Rawls, Jesse McCartney, Hillary Duff, Jessica Simpson, Jennifer Paige, Al Jarreau, K-Ci & Jojo, Deborah Cox, Monica, Taylor Dayne, Keiko Matsui, Steve Nieves, Luis Miguel and Tarkan. Michael’s fluency in French was definitely an added bonus when he also worked in the studio with French artists like Calogero (The Charts), Marc Lavoine and Veronique Sanson. Other projects also included work with producers Rodney Jerkins, Philippe Saisse and David Foster. (note: on most of these recording credits, Michael is credited as “Annas Allaf”, his real name, Michael Heart being the stage name). Although most of Michael’s work has been in the recording studio, he has also done some touring (notably back in the early 90’s, when he toured as a Flamenco guitarist in a guitar trio with Juan Manuel Canizares, opening for Dire Straits). He has also recorded and toured with the smooth jazz band Jango.
Michael has also written songs in support of various causes. The most recent song, “What About Us” was written about the tragic situation in Syria. The song “Freedom” was inspired by the popular protests in North Africa and the Middle East. His song “We Will Not Go Down” was written about the horrific situation of the Palestinian people in Gaza. Michael also wrote a song called “Help is on the Way”, about the devastating earthquake in Haiti, in 2010.
These days, when he is not working on his own original music, Michael lends his production skills working with local artists in the Los Angeles area.
DOWNLOAD mp3 HERE http://itunes.apple.com/us/album/we-w…
A SONG ABOUT HUMAN RIGHTS, NOT RELIGION.
ALL MUSIC RIGHTS RESERVED. Michael Heart Copyright 2009. Please do not use this song in any new videos.
This is the original video. The very first one that was posted on YouTube in Jan 2009, by Michael Heart, before it spread like wildfire all over the internet. Yes, it is primitive and very low quality, but there it is.
Visit Michael Heart’s official YouTube channel here:
Check out his 2-part video interview here below:
Thank you for supporting Michael and his music! You can buy his debut Pop/Rock album “Unsolicited Material” here:
Lebanese Christian Julia Boutros is considered one of the top pop singers of the Arab world. She has just released a new album, entitled ‘Righteousness is my weapon’ in which she praises the steadfastness of Hamas and other Gaza resistance groups for giving a bloody nose to the Jewish army.
“Righteousness is my weapon and I resist. Despite my pain I will resist, I will not give up, I will not give in. And about my country I will not compromise” said one of the verses of his praise song for Gaza resistance fighters.
“My home is here, my land is here. the sea, the plains, the river are ours. And how, while facing fire can I be peaceful” continue the song
The newly released “Al-Haq Silahi” (The Right is my Weapon) is an ode to the Palestinian resistance fighting in Gaza and all those who resisted Israeli occupation. The song rejects Israeli settlements, supporting the Palestinian claim to the natural landscapes of the occupied territories, said Albawaba
Julia has vocally supported Hizbullah and the “Resistance” despite being a Christian herself – making her a living embodiment of how an “Islamic Resistance” could transcend nationalism.
According to wiki article 0n October 11, 2006, Boutros announced a new single called “Ahibaii” (My loved ones). The lyrics are based on a letter sent by Hizbollah secretary general Hassan Nasrallah to the fighters in South Lebanon during the 2006 Summer War between Hezbollah and Israel. The poet Ghassan Matar adapted the original text. The music is composed by Ziad, brother of Julia and arranged by Michel Fadel. The profits from the song’s sale went to help the families of Hizbollah fighters and to all Lebanese who died during the Israel-Lebanon conflict
Boutros began singing at the age of 12. From very beginning of her singing career, she decided to use her talent on behalf of others. Her first song, a French tune titled ‘A Maman“, was dedicated to all mothers on Mother’s Day. It proved to be the first step in a lifelong journey of dedication: her gift to others.
By the age of 14, she had released her first album, titled ‘C’est La Vie’ (This is Life), which was written and composed by Elias Rahbani. It was also around this time that the civil war in Lebanon broke out, playing a central role in Julia’s life and bringing into sharp focus her desire to commit herself and her singing to humanity and civilization in the Lebanese community in particular and the world in general.
On January of 2009, the Palestinian Arab Cultural Club at the American University in Dubai organized the AUD Rally and Candlelight Vigil, in support of the people in Gaza. The event took place on campus where members of the faculty, administrative and student bodies at AUD assembled to raise their voices against the massacres in Gaza in the presence of the Consul General of the State of Palestine in Dubai and the Northern Emirates, Mr. Hussein Abdul Khalek, and Mrs. Julia Boutros – who participated to express her solidarity with the innocent in Gaza-, as well as prominent dignitaries from the media.
Early on, unlike other artists of her age, Boutros dedicated her career to a cause. This burning desire to be a voice for others led directly in 1985 to her recording “Ghabet Shams Al Haq”, which was composed by Julia’s brother Ziad Boutros, who composes most of her work today. The song expresses her anger at the continued killing of the innocents: children, women, men and the elderly civilians by Jewish army and its Christian Lebanese Phalangist collaborators.
“The only thing we were able to do at the time was to raise our voices and send a message to the world, and that was achieved by my first song” says Julia.
She wanted to send a message and she did so, forcefully. One week after this song was released; Julia’s voice entered every house in the Arab world. Her voice had become their voice, with millions of people singing her songs. Even schools began teaching the children the real meanings of Julia’s words.
After “Ghabet Shams Al Haq”, Julia would say, “I felt that I had a responsibility and that it is to speak on behalf of my people whose voice goes unheard“.
Today, Julia’s fans range from children to elderly, as she became a national symbol for Nationalism, Patriotism, Resistance and even Romance.
Julia received several national and international awards, including the Lebanese President’s Award which was presented to Julia for her contribution, through her voice, to the Lebanese Islamic Resistance Hizbullah against the Israeli occupation of Lebanon, shortly after the liberation of the South in May 2000.
Recently, and during the 2006 Israeli 34-day carpet-bombing of Lebanese civilian population, Julia Boutros was featured on Al Jazeera TV Station in a special program; she talked about the Politics in the Arab world, daring to say the least. She has today developed a fundraising project for the families of all Lebanese Martyrs who perished during the 34 day war.
Exclusive: Christian singer Julia Botrous honors fighters in Gaza with subtitles in English (الحق سلاحي). Her newly released 2014 music video “Righteousness is my weapon” refers to resistance movements in Gaza. Released on July 25, 2014 under Al-Mayadeen television.
Iranian pop singers to sing for Gaza
“Singing of Love and Hope in Solidarity with Innocent Children of Gaza”
A number of Iranian pop singers participated in a series of concerts in Tehran in support of the children of Gaza.
The Iranian Ministry of Culture and Islamic Guidance has authorized 11 pop singers to have a live performances in Tehran for the festival of “Singing of Love and Hope in Solidarity with Innocent Children of Gaza”.
Xaniar Khosravi, before to his April live concert Khosravi was considered an underground pop singer, he was allowed to perform in public for the first time on April.
Khosravi is part of the group of Iranian singers to take part in the concert for Gaza’s children. Kkosravi is one of the emerging singers that become famous in the internet even before he staged a live concert.
When last April he announced his public performance the tickets were quickly sold out.
“I am so sad I couldn’t get a ticket. I wanna die,” one unlucky fan wrote on the singer’s Facebook page.
Under Iran’s Islamic sharia law, musicians must be approved by the culture ministry, which checks whether a song’s lyrics and music can be deemed in line with the country’s moral values.
Iran had proved to be one of the few Palestinians supporters on the planet. It had supported Palestinian leadership and its people with money, weapon technology and political muscle on the floor of the United Nations.
Iran officially endorses the creation of a Palestinian state, In official forums Iran refers Palestine as under occupation by the Zionist regime. Ayatollah Khamenei, the Supreme Leader of Iran, rejects a two state solution and stated that Palestine is inseparable
The list of singers that take part in the concert are as follow:
Xaniar Khosravi, Sirvan Khosravi, Morteza Pashaee, Kiarash Hasanzadeh, Mehdi Yarahi, Benyamin Bahadori, Behnam Safavi, Farzad Farzin, Reza Yazdani and Reza Sadeghi
“Singing of Love and Hope in Solidarity with Innocent Children of Gaza” Concert The rights for these live performances are reserved for Hafiz Institute of Art and Culture.
When people think about Palestine most probably relate to it by the media propagated Israeli-Palestinian conflict, but Palestine is older that Israel supporters are willing to accept. Palestine is old, prove of that is Gaza that little tiny piece of Mediterranean port, in history books is considered one of the oldest sports on earth.
“Surely now there is room for us to turn to the spirit of Hafiz’s teaching. For if ever there was a time when we needed the universality of Hafiz as a guiding light it is today when there are forces that threaten the roots of humanity. Class and race competition threaten to submerge the highest joy of life and living – namely, the search for, and conquest of, true beauty and goodness which, could we but know it, are ever within our grasp.
In that spirit I appeal to the intellectual classes in this country to come and join up with the Iran Society, to help forward similar association, to study and understand Islamic, Hindu and Far Eastern philosophy, culture, literature and art. Thus the spiritual and emotional inheritance of Great Britain, Europe and America(North and South) should not be merely derived from Greece and Judaism, but from the world as a whole, for I am certain that Asiatic culture in its widest sense can bring as much to man’s common heritage as either Greece or Palestine.” Sir Sultan Muhammad Shah Aga Khan, in Novemember 9, 1936, during his inaugural lecture before the Iranian Society, in London, United Kingdom.”
I have learned so much from God
That I can no longer call myself
a Christian, a Hindu, a Muslim, a Buddhist, a Jew.
The Truth has shared so much of Itself with me
That I can no longer call myself
a man, a woman, an angel, or even a pure soul.
Love has befriended Hafiz.
It has turned to ash and freed me
Of every concept and image my mind has ever known.
A poem by Hafiz, 1320 c.e to 1389
Queen Rania, a Palestinian by birth, is an international celebrity and has been often noted for her commitment to charity work geared toward women’s education, but also Rania had dedicated her precious time to seek justice for Palestinians. As a first lady, consort to the King of Jordan, she probably can not speak broadly without diplomatic repercussions for her country, but she does it in her role of social activist and she does very well. Her vocal support for Palestine has been latent in the news since she married king Abdullah of Jordan.
As a Jordanian, Queen Rania whose family is of Palestinian origin, she is concerned with the plight of Palestinians, On 2011, Queen Rania led a pro-Palestinian demonstration in Jordan’s capital, Amman. She urged the international community to end the massacres being committed in the occupied territories.
In Jordan, where nearly a third of the population is composed of Palestinian refugees, the Israeli occupation of the Palestinian territories of Gaza and the West Bank is “a hurt we feel each day,” Queen Rania Al Abdullah told a packed audience at Yale on Sept. 22, 2009. (Video attached)
“Larry King Live” on April 16, Queen Rania seemed to almost usurp Jordanian foreign policy from her husband. When King asked her about Jordan’s position on Palestinian attacks against Israeli civilians, she replied:
“Jordan has been very, very clear in this regard. We stand against any aggression committed against any innocent civilians, irrespective of the perpetrator or the victim. We do not approve of any aggression. We made that very clear.” Then — almost as an afterthought — she added, “King Abdullah also made that very clear.” said the Globalist
On 27 July UN Relief and Works Agency (UNRWA) Commissioner-General Pierre Krähenbühl met at UNRWA Headquarters in Amman with Jordan’s Queen Rania Al Abdullah to discuss the severe crisis and to express the Agency’s gratitude for the support of the Kingdom of Jordan.
During the meeting, which included several members of the UNRWA team, Her Majesty said that the attacks on helpless civilians on UNRWA premises and other humanitarian spaces in Gaza “demonstrate the blatant disregard for human life in this conflict. What more proof does the world need that there is no safe place in Gaza? No safe place for tens of thousands of desperate and defenseless civilians seeking refuge from the violence?”
Queen Rania addresses the audience during her visit to Yale University.
NY, USA/ September 22, 2009
Queen Rania makes an urgent plea on behalf of all the civilians living in Gaza for a “humanitarian ceasefire” and for the international community to do all it can to help alleviate the suffering.
Amman, Jordan/ January 5, 2009
Jen Marlowe is a Seattle-based award-winning author/documentary filmmaker/playwright and human rights activist.
It takes humility to feel peoples struggles and pains and witnessing Palestinian struggles is more than enough to feel the necessity to want to be a bridge for peace. Marlowe uses her writing to give solutions to the Israeli/Palestinian violence.
“On July 28, at least eight children in Gaza were killed when a playground was shelled. Entire extended families—children included—have been wiped out. According to Save the Children, one-third of those injured in Gaza are children and tens of thousands more have been displaced from their homes, or have lost homes that were damaged or destroyed,” said Marlowe on Rays of Hope in Gaza
The reality has never been so grim, she said, And yet, in the midst of this darkness, there are Israelis and Palestinians who are working tirelessly for an end to bloodshed, and to all forms of violence—including the structural violence of the occupation/siege, Marlowe said.
Marlowe began her professional life working at Seattle Children’s Theatre; from 1994-2000, she did youth theatre work in Seattle, using theatre as a platform for students to tell their stories.
Marlowe lived and worked in Jerusalem several years, using some of these same techniques to engage in dialogue-based conflict resolution with Palestinian and Israeli teenagers. Jen also did conflict resolution work with youth in Afghanistan, Cyprus, India, Pakistan and Bosnia-Herzegovina. It was while working with youth in conflict areas that she first picked up a video camera—at that time, in order to record messages being exchanged between Israeli and Palestinian youth. As the youth themselves pushed the video dialogue project to more complex realms, Jen began to explore the idea of how film can be used, not only as a tool of dialogue, but also as a tool of activism. In 2004, with colleagues Adam Shapiro and Aisha Bain, Jen traveled to Northern Darfur and Eastern Chad to make the award-winning documentary film Darfur Diaries: Message from Home and wrote the accompanying book Darfur Diaries: Stories of Survival (Nation Books, 2006). Darfur Diaries was included in the 2007 edition of the Best American Non-Required Reading, edited by Dave Eggers.
Jen’s second feature-length award-winning documentary is called Rebuilding Hope: Sudan’s Lost Boys Return Home. Rebuilding Hope follows three Sudanese-American young men on their first homecoming trip back to Sudan, to discover whether their homes and families survived the civil war and to build a school, drill wells and bring medical supplies to their villages in Sudan.
Jen’s second book, called The Hour of Sunlight: One Palestinian’s Journey from Prisoner to Peacemaker (Nation Books, 2011), is co-authored with and tells the story of Sami Al Jundi, a Palestinian man who spent ten years in Israeli prison for being involved in militant anti-occupation activities as a youth and who has spent the last two decades of his life working towards nonviolence and peaceful reconciliation between Israelis and Palestinians.The Hour of Sunlight was the winner of the London-based Middle East Monitor’s Palestine Book Award in 2012.
Marjorie Wright is an American filmmaker of conscience concerned with human rights. In 2008 wrote and Co-directed with Lucy Martens, “Voices From Inside, Israelis Speak,” a film that weaves historic footage with modern-day views of Palestine: its partition walls, “apartheid roads,” demolished homes and the Israeli soldiers sent to “protect” Israel, says, The San Francisco Reporter.
In 2011 Wright was part of a group of 267 artists and supporters of the arts—including dozens of prominent playwrights, actors, directors, filmmakers, producers and theater professors from the U.S., New Zealand, Israel, England and other countries—have signed a public letter to Israeli authorities decrying the Israeli military’s attacks on The Freedom Theatre in Jenin, a northern city in the West Bank, Palestine, which was founded by Juliano Mer-Khamis, who was assassinated on 4 April 2011 in Jenin.
Voices From Inside, Israelis Speak is a documentary film tracing an Israeli evolution of consciousness from early Zionism, a holocaust perspective, and seeds of militaristic nationalism to a positive modern perspective of conscience, honesty, and reconciliation: the real path to lasting peace.
The 16 peace activists interviewed for the film say citizens of Israel need to wake up to the country’s reality, particularly parents who send their sons and daughters to the army in which, “blinded by power,” they commit unspeakable acts.
Those Jews who speak out against human-rights abuses in Israel and Palestine increasingly face their own “ominous loss of rights,” Wright says. “There have been arrests, confiscation of computers, threats of huge fines and imprisonment.” Recent interviews with American Jewish academics, Wright says, point to the rise of what they call “fascist elements inside Israeli society and the erosion of rights even for Jewish citizens.”
The film was awarded Arpa’s Armin T. Wegner in 2009, which each year is awards a motion picture that contributes to the fight for social conscience and human rights, “Voices from Inside: Israelis Speak.” “This feature length documentary film is based on the stories of 16 Jewish Israeli voices of conscience, each representing a different facet of the peace movement inside Israel,” says Zaven Khachaturian, Arpa Film Festival Curator who invited the film to the festival.
On 2013, Wright wrote Voices Across the Divide, “Millions of dollars are spent on campus groups and in the media, aggressively promoting an Israel-right-or-wrong political stand and actively attacking students, professors, writers, and performers who exhibit sympathy or interest in “the other side.” This muzzling of the dialogue is a major threat to our fundamental principles of free speech and tolerance and thus to our basic democratic values. It is also deeply corruptive to our foreign policy and our ability to understand how others see us. Voices Across the Divide follows Alice Rothchild’s personal journey as she begins to understand the Palestinian narrative, while exploring the Palestinian experience of loss, occupation, statelessness, and immigration to the US, exploring voices for a just peace in the region.” Written by Alice Rothchild
Voices From Inside
Voices From Inside, Israelis Speak Part 2